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The
Official
Live Broadway®
Newsletter
April
2005
As
a member of
the Broadway Fan Club, you will
receive periodic
e-newsletters with special insider
and show-related information, trivia, Broadway-related event invitations
and more, as well
as occasional offers for discounted
tickets and other special promotions.
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Search
Internet Broadway Database for information on your favorite
show
or star
Click
here!
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Welcome to the latest edition of the
Live Broadway Fan Club newsletter, exclusively for members of the
Broadway Fan Club. This
month's newsletter is our most exciting yet, including an exclusive
interview with Tony-award winning actress Sutton Foster, links to
the latest new Broadway shows, spotlights on theatres and events
in New York and on the road, and much more!
We hope you
enjoy receiving this newsletter and will pass it on to friends and
family members. They
can join the Fan Club here. A link to our privacy policy and
unsubscribe information can be found below. See
you on Broadway!
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| A
CONVERSATION WITH SUTTON FOSTER |
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Sutton
Foster in
Little Women.
©2004
Joan Marcus |
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| Recently,
we sat down with Sutton Foster, currently starring as
Jo March in the new Broadway musical, Little Women.
Ms. Foster won the 2002 Tony Award®
for Best Actress in a Musical for her performance as Millie
Dillmount in Thoroughly Modern Millie. Below are
some excerpts from the conversation, exclusively for our
Broadway Fan Club members. |
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| League:
Did you read Little Women when you were growing up?
Sutton
Foster: No! I had the book but I never actually got around
to reading it. I did read the book this summer before going
into rehearsals.
League:
What kind of person is Jo March?
Sutton
Foster: Jo is an empowered young woman who is determined
to break the rules, to change her destiny, and do things that
no woman has done before. Her dream in life is not to marry,
but to break with tradition, and to make a name for herself.
The book was written in the 1860s, but even today she is amazingly
strong and determined and inspiring. In a time where there
still hasn't been a woman president, we are still trying to
gain equality across the board. But actually I think Jo is
inspiring to everyone - young women, young men, all generations.
Little Women tells a coming-of-age story that anyone
can relate to. All the characters are strong and empowered.
League:
What's it been like for you to re-create characters for the
stage that have already appeared in other media?
Sutton
Foster: The character of Millie was so much different
than was in the film, so that was an easier transition. Little
Women has been much more challenging because the novel
is a beloved classic. People have very strong opinions about
this character. I read a couple of different biographies of
Louisa May Alcott, I read the novel, I watched all the films,
and then I thought, "I'm not going to try to do someone
else' interpretation. I'll just bring as much of myself to
this part as I can." Unlike any other character I've
played, Jo is so close to who Sutton is. I wanted to put as
much of myself into this character as I could. And that's
what I did.
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Sutton
Foster in
Little Women.
©2004
Joan Marcus |
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League:
Do you find that the different theatres you perform in have
different personalities?
Sutton
Foster: Totally. The Marquis [where Thoroughly Modern
Millie played] feels more like an auditorium, because
it is more modern. My dressing room there was huge. At the
Virginia [where Little Women is playing] my dressing
room is about a quarter of the size. The Virginia really suits
Little Women because it has so much character and such
good energy.
League:
What do you like to eat before the show?
Sutton
Foster: I am addicted to Blimpies. Isn't that horrible?
It's only three blocks away from the theatre, and I try to
eat something light. I get a turkey sandwich, or a salad from
Café Europa. I usually eat at around five o'clock and
then I'll have a snack after.
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ON
THE ROAD: FAMILY FIRST NIGHTS
This year marks the 75th anniversary of The
League of American Theatres and Producers, Inc. The following is
the first in a series of profiles on theatres around the country
who, like The League, are celebrating 75 years in the arts.
Click
here for information on touring Broadway in YOUR city!
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THE
BUSHNELL CENTER FOR THE PERFORMING ARTS SERVES AS PILOT FOR
LEAGUE OF AMERICAN THEATRES' FAMILY FIRST NIGHTS PROGRAM
Bringing
Arts, Education and Community Together for 75 Years
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The Bushnell
Center for the
Performing Arts in Hartford, CT
(Robert Benson Photography)
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In March of
this year, The Bushnell partnered with The League of American Theatres
and Producers, Inc. to pilot a new program, "Family First Nights,"
designed for underserved families to attend theater together on
a regular basis.
On Saturday,
March 12, the first phase of the program was launched. At the matinee
performance of Little Shop of Horrors, more than 30 underserved
families from the greater Hartford area were introduced to live
theater. After the performance, the families attended a reception
with staff from the League where they discussed their first theatrical
experience. One mother shook the hand of a League staff member and
told him, "You've opened a door for my daughter that will never
be shut."
In addition
to Little Shop of Horrors, The Bushnell's presentations of
Peter Pan in April and My Fair Lady in the fall will
also participate in the program.
The Bushnell
has delighted and inspired audiences for 75 years and plays a leading
role in the state's cultural life. The Bushnell, a nonprofit organization,
is renowned for community programs, as well as being a leading educator
and advocate of the arts. On January 13, 2005, The Bushnell celebrated
its 75th Anniversary.
The Bushnell hosts more than 450 events yearly, including major
Broadway tours, symphony orchestras, family presentations, local
arts and community events. In November 2001, The Bushnell completed
a $45 million expansion project that added a second, 907-seat theatre
to the existing historic structure. The new, state-of-the-art performance
hall allows for expanded arts, entertainment and community offerings.
Visit
the Bushnell by clicking here.
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SPOTLIGHT
ON...
THE LYCEUM THEATER
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| From
its inaugural production, The Proud Prince in 1903, to the
current run of Steel Magnolias, the Lyceum is the oldest continually
used Broadway theatre. Built by producer-manager Daniel Frohman, the
building was designed in a Beaux Arts style by architects Herts and
Tallant with a handsome gray limestone façade, six ornate Corinthian
columns, a wide marquee, and gas torches to illuminate it. At
the time it was built, the Lyceum included such singular characteristics
as a modern ventilation system, with air passing over either ice chambers
or steam coils, dressing rooms with separate bathrooms (an innovation
for the time), and elevators that descended 30 feet below the stage
for scenery changes (another marvel of modern technology). |
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| Daniel
Frohman at his desk in the apartment above the Lyceum. Photo:
Whitney Cox, courtesy of The Shubert Archives. |
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Over the theater,
Frohman built an apartment for himself that included an office,
a rehearsal studio and a library complete with a secret door offering
a bird's eye view of the stage below. Legend has it that he would
wave a white handkerchief out the open door at his wife, the actress
Margaret Illington, whenever he felt she was overacting.
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| The
secret door, with view of the stage below. |
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The Lyceum's
early years saw some of the best the American theater had to offer:
Lionel Barrymore in The Other Girl (1903), Ethel Barrymore
in A Doll's House (1906), and Margaret Illington (aka Mrs.
Frohman) in The Thief (1907). Other notable productions included
Clifford Odet's The Country Girl with Uta Hagen (1950), A
Hatful of Rain (1955) with Shelley Winters, and Harold Pinter's
The Caretaker with Alan Bates (1961). Recent tenants included
Our Town with Spalding Gray (1988) and Doug Wright's Tony
and Pulitzer-winning I am My Own Wife (2003).
For
a complete list of productions at the Lyceum, click here.
For
larger and additional photos of The Lyceum, click here.
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| JUST
IN TIME FOR MOTHER'S/FATHER'S DAY AND GRADUATION! |
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Available
in various denominations, The Broadway Visa Gift Card can be
used to purchase tickets to any show at the 39 Broadway playhouses
in New York, as well as at theaters in the 140 other cities that touring
Broadway shows visit every year. Tickets can be obtained in person
at the box office, by telephone, on the Internet wherever Visa
debit cards are accepted.
Click here to
learn more! |
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GENERATION
BROADWAY
Generation Broadway
(www.generationbroadway.com)
is the new website JUST FOR KIDS (and parents, of course)! Here
you will find comprehensive information about Broadway - its past,
present and future - plus games, activities and exercises for your
little ones to enjoy!
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| BROADWAY
OPEN HOUSE |
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Broadway
Open House is the ONLY walking tour that allows you inside access
into two of Broadway's historic theatres. Tours depart from
the Broadway Ticket Center, located inside the Times Square
Information Center at 1560 Broadway, Tuesdays through Saturdays
at 10 AM.
Click here to learn more. |
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